6 Thou hast laid me in the lowest pit, In dark places, in the deeps.
7 Thy wrath lieth hard upon me, And thou hast afflicted me with all thy waves. Selah
8 Thou hast put mine acquaintance far from me; Thou hast made me an abomination unto them: I am shut up, and I cannot come forth.
9 Mine eye wasteth away by reason of affliction: I have called daily upon thee, O Jehovah; I have spread forth my hands unto thee.
10 Wilt thou show wonders to the dead? Shall they that are decreased arise and praise thee? Selah
11 Shall thy lovingkindness be declared in the grave? Or thy faithfulness in Destruction?
12 Shall thy wonders be known in the dark? And thy righteousness in the land of forgetfulness?
13 But unto thee, O Jehovah, have I cried; And in the morning shall my prayer come before thee.
14 Jehovah, why castest thou off my soul? Why hidest thou thy face from me?
15 I am afflicted and ready to die from my youth up: While I suffer thy terrors I am distracted.
16 Thy fierce wrath is gone over me; Thy terrors have cut me off.
17 They came round about me like water all the day long; They compassed me about together.
18 Lover and friend hast thou put far from me, And mine acquaintance into darkness. Psalm 89 Maschil of Ethan the Ezrahite.
Worthy.Bible » Commentaries » Commentary Critical and Explanatory on the Whole Bible » Commentary on Psalms 88
Commentary on Psalms 88 Commentary Critical and Explanatory on the Whole Bible
PSALM 88
Ps 88:1-18. Upon Mahalath—either an instrument, as a lute, to be used as an accompaniment (Leannoth, "for singing") or, as others think, an enigmatic title (see on Ps 5:1, Ps 22:1, and Ps 45:1, titles), denoting the subject—that is, "sickness or disease, for humbling," the idea of spiritual maladies being often represented by disease (compare Ps 6:5, 6; 22:14, 15, &c.). On the other terms, see on Ps 42:1 and Ps 32:1. Heman and Ethan (see on Ps 89:1, title) were David's singers (1Ch 6:18, 33; 15:17), of the family of Kohath. If the persons alluded to (1Ki 4:31; 1Ch 2:6), they were probably adopted into the tribe of Judah. Though called a song, which usually implies joy (Ps 83:1), both the style and matter of the Psalm are very despondent; yet the appeals to God evince faith, and we may suppose that the word "song" might be extended to such compositions.
1, 2. Compare on the terms used, Ps 22:2; 31:2.
3. grave—literally, "hell" (Ps 16:10), death in wide sense.
4. go … pit—of destruction (Ps 28:1).
as a man—literally, "a stout man," whose strength is utterly gone.
5. Free … dead—Cut off from God's care, as are the slain, who, falling under His wrath, are left, no longer sustained by His hand.
6. Similar figures for distress in Ps 63:9; 69:3.
7. Compare Ps 38:2, on first, and Ps 42:7, on last clause.
8. Both cut off from sympathy and made hateful to friends (Ps 31:11).
9. Mine eye mourneth—literally, "decays," or fails, denoting exhaustion (Ps 6:7; 31:9).
I … called—(Ps 86:5, 7).
stretched out—for help (Ps 44:20).
10. shall the dead—the remains of ghosts.
arise—literally, "rise up," that is, as dead persons.
11, 12. amplify the foregoing, the whole purport (as Ps 6:5) being to contrast death and life as seasons for praising God.
13. prevent—meet—that is, he will diligently come before God for help (Ps 18:41).
14. On the terms (Ps 27:9; 74:1; 77:7).
15. from … youth up—all my life.
16, 17. the extremes of anguish and despair are depicted.
18. into darkness—Better omit "into"—"mine acquaintances (are) darkness," the gloom of death, &c. (Job 17:13, 14).