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1 Chronicles 25:2 Bible in Basic English (BBE)

2 Of the sons of Asaph: Zaccur and Joseph and Nethaniah and Asharelah, sons of Asaph; under the direction of Asaph, acting as a prophet under the orders of the king;

Cross Reference

1 Chronicles 25:6 BBE

All these, under the direction of their father, made music in the house of the Lord, with brass and corded instruments, for the worship of the house of God; Asaph, Jeduthun, and Heman being under the orders of the king.

1 Chronicles 25:1 BBE

Further, David and the chiefs of the servants of the holy place made selection of certain of the sons of Asaph and of Heman and of Jeduthun for the work of prophets, to make melody with corded instruments and brass; and the number of the men for the work they had to do was:

Psalms 78:1 BBE

<Maschil. Of Asaph.> Give ear, O my people, to my law; let your ears be bent down to the words of my mouth.

Isaiah 3:6 BBE

When one man puts his hand on another in his father's house, and says, You have clothing, be our ruler and be responsible for us in our sad condition:

Psalms 83:1 BBE

<A Song. A Psalm. Of Asaph.> O God, do not keep quiet: let your lips be open and take no rest, O God.

Psalms 82:1 BBE

<A Psalm. Of Asaph.> God is in the meeting-place of God; he is judging among the gods.

Psalms 81:1 BBE

<To the chief music-maker; put to the Gittith. Of Asaph.> Make a song to God our strength: make a glad cry to the God of Jacob.

Psalms 80:1 BBE

<To the chief music-maker; put to Shoshannim-eduth. Of Asaph. A Psalm.> Give ear, O Keeper of Israel, guiding Joseph like a flock; you who have your seat on the winged ones, let your glory be seen.

Psalms 79:1 BBE

<A Psalm. Of Asaph.> O God, the nations have come into your heritage; they have made your holy Temple unclean; they have made Jerusalem a mass of broken walls.

1 Chronicles 6:39 BBE

And his brother Asaph, whose place was at his right hand, Asaph, the son of Berechiah, the son of Shimea,

Psalms 77:1 BBE

<To the chief music-maker. After Jeduthun. Of Asaph. A Psalm.> I was crying to God with my voice; even to God with my voice, and he gave ear to me.

Psalms 76:1 BBE

<To the chief music-maker; put to Neginoth. A Psalm. Of Asaph. A Song.> In Judah is the knowledge of God; his name is great in Israel,

Psalms 75:1 BBE

<To the chief music-maker; put to Al-tashheth. A Psalm. Of Asaph. A Song.> To you, O God, we give praise, to you we give praise: and those who give honour to your name make clear your works of power.

Psalms 74:1 BBE

<Maschil. Of Asaph.> Of God, why have you put us away from you for ever? why is the fire of your wrath smoking against the sheep who are your care?

Psalms 73:1 BBE

Truly, God is good to Israel, even to such as are clean in heart.

1 Chronicles 25:3 BBE

Of Jeduthun: the six sons of Jeduthun, Gedaliah and Zeri and Jeshaiah, Hashabiah and Mattithiah; under the direction of their father Jeduthun who, acting as a prophet, with corded instruments gave praise and glory to the Lord.

1 Chronicles 16:5 BBE

Asaph the chief, and second to him Zechariah, Uzziel and Shemiramoth and Jehiel and Mattithiah and Eliab and Benaiah and Obed-edom and Jeiel, with corded instruments of music; and Asaph, with brass instruments sounding loudly;

1 Chronicles 15:17 BBE

So Heman, the son of Joel, and, of his brothers, Asaph, the son of Berechiah; and of the sons of Merari their brothers, Ethan, the son of Kushaiah, were put in position by the Levites;

Commentary on 1 Chronicles 25 Commentary Critical and Explanatory on the Whole Bible


CHAPTER 25

1Ch 25:1-7. Number and Office of the Singers.

1. David and the captains of the host—that is, the princes (1Ch 23:2; 24:6). It is probable that the king was attended on the occasion of arranging the singers by the same parties that are mentioned as having assisted him in regulating the order of the priests and Levites.

2. according to the order of the king—Hebrew, "by the hands of the king," that is, "according to the king's order," under the personal superintendence of Asaph and his colleagues.

which prophesied—that is, in this connection, played with instruments. This metaphorical application of the term "prophecy" most probably originated in the practice of the prophets, who endeavored to rouse their prophetic spirit by the animating influence of music (see on 2Ki 3:15). It is said that Asaph did this "according to David's order," because by royal appointment he officiated in the tabernacle on Zion (1Ch 16:37-41), while other leaders of the sacred music were stationed at Gibeon.

5. Heman the king's seer—The title of "seer" or "prophet of David" is also given to Gad (1Ch 21:9), and to Jeduthun (2Ch 29:14, 15), in the words (Margin, "matters") of God.

to lift up the horn—that is, to blow loudly in the worship of God; or perhaps it means nothing more than that he presided over the wind instruments, as Jeduthun over the harp. Heman had been appointed at first to serve at Gibeon (1Ch 16:41). But his destination seems to have been changed at a subsequent period.

God gave to Heman fourteen sons and three daughters—The daughters are mentioned, solely because from their musical taste and talents they formed part of the choir (Ps 68:25).

6, 7. All these were under the hands of their father—Asaph had four sons, Jeduthun six, and Heman fourteen, equal to twenty-four; making the musicians with their brethren the singers, an amount of two hundred eighty-eight. For, like the priests and Levites, they were divided into twenty-four courses of twelve men each, equal to two hundred eighty-eight, who served a week in rotation; and these, half of whom officiated every week with a proportionate number of assistants, were skilful and experienced musicians, capable of leading and instructing the general musical corps, which comprised no less than four thousand (1Ch 23:5).

1Ch 25:8-31. Their Division by Lot into Four and Twenty Orders.

8. they cast lots, ward against ward—"Ward" is an old English word for "division" or "company." The lot was cast to determine the precedence of the classes or divisions over which the musical leaders presided; and, in order to secure an impartial arrangement of their order, the master and his assistants, the teacher and his scholars, in each class or company took part in this solemn casting of lots. In the first catalogue given in this chapter the courses are classed according to their employment as musicians. In the second, they are arranged in the order of their service.