4 This is what they are to make: a priest's bag, an ephod, and a robe, and a coat of coloured needlework, a head-dress, and a linen band; they are to make holy robes for Aaron your brother and for his sons, so that they may do the work of priests for me.
The coat is to be made of the best linen, worked in squares; and you are to make a head-dress of linen, and a linen band worked in needlework. And for Aaron's sons you are to make coats, and bands, and head-dresses, so that they may be clothed with glory and honour.
And make the ephod of gold and blue and purple and red and the best linen, the work of a designer. It is to have two bands stitched to it at the top of the arms, joining it together. And the beautifully worked band, which goes on it, is to be of the same work and the same material, of gold and blue and purple and red and twisted linen-work. You are to take two beryl stones, on which the names of the children of Israel are to be cut: Six names on the one stone and six on the other, in the order of their birth. With the work of a jeweller, like the cutting of a stamp, the names of the children of Israel are to be cut on them, and they are to be fixed in twisted frames of gold. And the two stones are to be placed on the ephod, over the arm-holes, to be stones of memory for the children of Israel: Aaron will have their names on his arms when he goes in before the Lord, to keep the Lord in mind of them. And you are to make twisted frames of gold; And two chains of the best gold, twisted like cords; and have the chains fixed on to the frames. And make a priest's bag for giving decisions, designed like the ephod, made of gold and blue and purple and red and the best linen. It is to be square, folded in two, a hand-stretch long and a hand-stretch wide. And on it you are to put four lines of jewels; the first line is to be a cornelian, a chrysolite, and an emerald; The second, a ruby, a sapphire, and an onyx; The third, a jacinth, an agate, and an amethyst; The fourth, a topaz, a beryl, and a jasper; they are to be fixed in twisted frames of gold. The jewels are to be twelve in number, for the names of the children of Israel; every jewel having the name of one of the twelve tribes cut on it as on a stamp. And you are to make two chains of gold, twisted like cords, to be fixed to the priest's bag. And put two gold rings on the two ends of the bag. Put the two gold chains on the two rings at the ends of the bag; Joining the other ends of the chains to the gold frames and putting them on the front of the ephod, at the top of the arms. Then make two gold rings and put them on the lower ends of the bag, at the edge of it on the inner side nearest to the ephod. And make two more gold rings and put them on the front of the ephod at the top of the arms, at the join, over the worked band: So that the rings on the bag may be fixed to the rings of the ephod by a blue cord and on to the band of the ephod, so that the bag may not come loose from the ephod. And so Aaron will have the names of the children of Israel on the priest's bag over his heart whenever he goes into the holy place, to keep the memory of them before the Lord. And in the bag you are to put the Urim and Thummim, so that they may be on Aaron's heart whenever he goes in before the Lord; and Aaron may have the power of making decisions for the children of Israel before the Lord at all times. The robe which goes with the ephod is to be made all of blue; With a hole at the top, in the middle of it; the hole is to be edged with a band to make it strong like the hole in the coat of a fighting-man, so that it may not be broken open. And round the skirts of it put fruits in blue and purple and red, with bells of gold between; A gold bell and a fruit in turn all round the skirts of the robe. Aaron is to put it on for his holy work; and the sound of it will be clear, when he goes into the holy place before the Lord, and when he comes out, keeping him safe from death.
He put the coat on him, making it tight with its band, and then the robe, and over it the ephod, with its band of needlework to keep it in place. And he put the priest's bag on him, and in the bag he put the Urim and Thummim. And on his head he put the head-dress, and in front of the head-dress the plate of gold, the holy crown, as the Lord gave orders to Moses.
And between the fruits all round the skirt they put gold bells, as the Lord gave orders to Moses. All round the skirt of the robe were bells and fruits in turn.
The priest's bag was designed like the ephod, of the best linen worked with gold and blue and purple and red. It was square and folded in two, as long and as wide as the stretch of a man's hand; And on it they put four lines of stones: in the first line was a carnelian, a chrysolite, and an emerald; In the second, a ruby, a sapphire, and an onyx; In the third, a jacinth, an agate, and an amethyst; In the fourth, a topaz, a beryl, and a jasper; they were fixed in twisted frames of gold. There were twelve stones for the twelve tribes of Israel; on every one the name of one of the tribes of Israel was cut, like the cutting of a stamp. And on the bag they put gold chains, twisted like cords. And they made two gold frames and two gold rings, the rings being fixed to the ends of the priest's bag; And they put the two twisted chains on the two rings at the ends of the priest's bag; And the other two ends of the chains were joined to the two frames and fixed to the front of the ephod over the arm-holes. And they made two rings of gold and put them on the two lower ends of the bag, on the inner side nearest to the ephod. And two other gold rings were put on the front of the ephod, over the arm-holes, at the join, and over the worked band. And the rings on the bag were fixed to the rings of the ephod by a blue cord, keeping it in place over the band, so that the bag might not get loose, as the Lord gave orders to Moses. The robe which went with the ephod was made all of blue;
The ephod he made of gold and blue and purple and red and the best linen; Hammering the gold into thin plates and cutting it into wires to be worked into the blue and the purple and the red and the linen by the designer. And they made two bands for joining its edges together at the top of the arms. And the beautifully worked band which went on it was of the same design and the same material, worked in gold and blue and purple and red and twisted linen-work, as the Lord gave orders to Moses.
Worthy.Bible » Commentaries » Commentary Critical and Explanatory on the Whole Bible » Commentary on Exodus 28
Commentary on Exodus 28 Commentary Critical and Explanatory on the Whole Bible
CHAPTER 28
Ex 28:1-43. Appointment to the Priesthood.
1. take thou unto thee Aaron thy brother, and his sons with him—Moses had hitherto discharged the priestly functions (Ps 99:6), and he evinced the piety as well as humility of his character, in readily complying with the command to invest his brother with the sacred office, though it involved the perpetual exclusion of his own family. The appointment was a special act of God's sovereignty, so that there could be no ground for popular umbrage by the selection of Aaron's family, with whom the office was inalienably established and continued in unbroken succession till the introduction of the Christian era.
2-5. holy garments—No inherent holiness belonged either to the material or the workmanship. But they are called "holy" simply because they were not worn on ordinary occasions, but assumed in the discharge of the sacred functions (Eze 44:19).
for glory and for beauty—It was a grand and sumptuous attire. In material, elaborate embroidery, and color, it had an imposing splendor. The tabernacle being adapted to the infantine aid of the church, it was right and necessary that the priests' garments should be of such superb and dazzling appearance, that the people might be inspired with a due respect for the ministers as well as the rites of religion. But they had also a further meaning; for being all made of linen, they were symbolical of the truth, purity, and other qualities in Christ that rendered Him such a high priest as became us.
6-14. ephod—It was a very gorgeous robe made of byssus, curiously embroidered, and dyed with variegated colors, and further enriched with golden tissue, the threads of gold being either originally interwoven or afterwards inserted by the embroiderer. It was short—reaching from the breast to a little below the loins—and though destitute of sleeves, retained its position by the support of straps thrown over each shoulder. These straps or braces, connecting the one with the back, the other with the front piece of which the tunic was composed, were united on the shoulder by two onyx stones, serving as buttons, and on which the names of the twelve tribes were engraved, and set in golden encasements. The symbolical design of this was, that the high priest, who bore the names along with him in all his ministrations before the Lord, might be kept in remembrance of his duty to plead their cause, and supplicate the accomplishment of the divine promises in their favor. The ephod was fastened by a girdle of the same costly materials, that is, dyed, embroidered, and wrought with threads of gold. It was about a handbreadth wide and wound twice round the upper part of the waist; it fastened in front, the ends hanging down at great length (Re 1:13).
15-29. thou shalt make the breastplate of judgment with cunning work—a very splendid and richly embroidered piece of brocade, a span square, and doubled, to enable it the better to bear the weight of the precious stones in it. There were twelve different stones, containing each the name of a tribe, and arranged in four rows, three in each. The Israelites had acquired a knowledge of the lapidary's art in Egypt, and the amount of their skill in cutting, polishing, and setting precious stones, may be judged of by the diamond forming one of the engraved ornaments on this breastplate. A ring was attached to each corner, through which the golden chains were passed to fasten this brilliant piece of jewelry at the top and bottom tightly on the breast of the ephod.
30. thou shalt put in the breastplate of judgment the Urim and Thummim—The words signify "lights" and "perfections"; and nothing more is meant than the precious stones of the breastplate already described (compare Ex 39:8-21; Le 8:8). They received the name because the bearing of them qualified the high priest to consult the divine oracle on all public or national emergencies, by going into the holy place—standing close before the veil and putting his hand upon the Urim and Thummim, he conveyed a petition from the people and asked counsel of God, who, as the Sovereign of Israel, gave response from the midst of His glory. Little, however, is known about them. But it may be remarked that Egyptian judges wore on the breast of their official robes a representation of Justice, and the high priest in Israel long officiated also as a judge; so that some think the Urim and Thummim had a reference to his judicial functions.
31-33. the robe of the ephod all of blue—It was the middle garment, under the ephod and above the coat. It had a hole through which the head was thrust, and was formed carefully of one piece, such as was the robe of Christ (Joh 19:23). The high priest's was of a sky-blue color. The binding at the neck was strongly woven, and it terminated below in a fringe, made of blue, purple, and scarlet tassels, in the form of a pomegranate, interspersed with small bells of gold, which tinkled as the wearer was in motion.
34. a golden bell and a pomegranate—The bells were hung between the pomegranates, which were said to have amounted to seventy-two, and the use of them seems to have been to announce to the people when the high priest entered the most holy place, that they might accompany him with their prayers, and also to remind himself to be attired in his official dress, to minister without which was death.
36-38. plate—literally, a petal of a flower, which seems to have been the figure of this golden plate, which was tied with a ribbon of blue on the front of the mitre, so that every one facing him could read the inscription.
37. mitre—crown-like cap for the head, not covering the entire head, but adhering closely to it, composed of fine linen. The Scripture has not described its form, but from Josephus we may gather that it was conical in shape, as he distinguishes the mitres of the common priests by saying that they were not conical—that it was encircled with swathes of blue embroidered, and that it was covered by one piece of fine linen to hide the seams.
39. coat of fine linen—a garment fastened at the neck, and reaching far down the person, with the sleeves terminating at the elbow.
girdle of needlework—a piece of fine twined linen, richly embroidered, and variously dyed. It is said to have been very long, and being many times wound round the body, it was fastened in front and the ends hung down, which, being an impediment to a priest in active duty, were usually thrown across the shoulders. This was the outer garment of the common priests.
40. bonnets—turbans.
42. linen breeches—drawers, which encompassed the loins and reached half way down the thighs. They are seen very frequently represented in Egyptian figures.