1 <To the chief music-maker on Aijeleth-hash-shahar. A Psalm. Of David.> My God, my God, why are you turned away from me? why are you so far from helping me, and from the words of my crying?
<To the chief music-maker. Maschil. Of the sons of Korah.> Like the desire of the roe for the water-streams, so is my soul's desire for you, O God. My soul is dry for need of God, the living God; when may I come and see the face of God?
Be my judge, O God, supporting my cause against a nation without religion; O keep me from the false and evil man. You are the God of my strength; why have you put me from you? why do I go in sorrow because of the attacks of my haters? O send out your light and your true word; let them be my guide: let them take me to your holy hill, and to your tents. Then I will go up to the altar of God, to the God of my joy; I will be glad and give praise to you on an instrument of music, O God, my God. Why are you crushed down, O my soul? and why are you troubled in me? put your hope in God, for I will again give him praise who is my help and my God.
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Commentary on Psalms 22 Matthew Henry Commentary
Psalm 22
The Spirit of Christ, which was in the prophets, testifies in this psalm, as clearly and fully as any where in all the Old Testament, "the sufferings of Christ and the glory that should follow' (1 Pt. 1:11); of him, no doubt, David here speaks, and not of himself, or any other man. Much of it is expressly applied to Christ in the New Testament, all of it may be applied to him, and some of it must be understood of him only. The providences of God concerning David were so very extraordinary that we may suppose there were some wise and good men who then could not but look upon him as a figure of him that was to come. But the composition of his psalms especially, in which he found himself wonderfully carried out by the spirit of prophecy far beyond his own thought and intention, was (we may suppose) an abundant satisfaction to himself that he was not only a father of the Messiah, but a figure of him. In this psalm he speaks,
In singing this psalm we must keep our thoughts fixed upon Christ, and be so affected with his sufferings as to experience the fellowship of them, and so affected with his grace as to experience the power and influence of it.
To the chief musician upon Aijeleth Shahar. A psalm of David.
Psa 22:1-10
Some think they find Christ in the title of this psalm, upon Aijeleth Shahar-The hind of the morning. Christ is as the swift hind upon the mountains of spices (Cant. 8:14), as the loving hind and the pleasant roe, to all believers (Prov. 5:19); he giveth goodly words like Naphtali, who is compared to a hind let loose, Gen. 49:21. He is the hind of the morning, marked out by the counsels of God from eternity, to be run down by those dogs that compassed him, v. 16. But others think it denotes only the tune to which the psalm was set. In these verses we have,
Psa 22:11-21
In these verses we have Christ suffering and Christ praying, by which we are directed to look for crosses and to look up to God under them.
In singing this we should meditate on the sufferings and resurrection of Christ till we experience in our own souls the power of his resurrection and the fellowship of his sufferings.
Psa 22:22-31
The same that began the psalm complaining, who was no other than Christ in his humiliation, ends it here triumphing, and it can be no other than Christ in his exaltation. And, as the first words of the complaint were used by Christ himself upon the cross, so the first words of the triumph are expressly applied to him (Heb. 2:12) and are made his own words: I will declare thy name unto my brethren, in the midst of the church will I sing praise unto thee. The certain prospect which Christ had of the joy set before him not only gave him a satisfactory answer to his prayers, but turned his complaints into praises; he saw of the travail of his soul, and was well satisfied, witness that triumphant word wherewith he breathed his last: It is finished.
Five things are here spoken of, the view of which were the satisfaction and triumph of Christ in his sufferings:-
In singing this we must triumph in the name of Christ as above every name, must give him honour ourselves, rejoice in the honours others do him, and in the assurance we have that there shall be a people praising him on earth when we are praising him in heaven.