17 In the evening and in the morning and in the middle of the day I will make my prayer with sounds of grief; and my voice will come to his ears.
Now Peter and John were going up to the Temple at the ninth hour, the hour of prayer;
Let my prayer be ordered before you like a sweet smell; and let the lifting up of my hands be like the evening offering.
Who in the days of his flesh, having sent up prayers and requests with strong crying and weeping to him who was able to give him salvation from death, had his prayer answered because of his fear of God.
Now the day after, when they were on their journey and were near the town, Peter went up to the top of the house for prayer, about the sixth hour:
He saw in a vision, clearly, at about the ninth hour of the day, an angel of the Lord coming to him and saying to him, Cornelius!
To make clear your mercy in the morning, and your unchanging faith every night;
And he made a story for them, the point of which was that men were to go on making prayer and not get tired; Saying, There was a judge in a certain town, who had no fear of God or respect for man: And there was a widow in that town, and she kept on coming to him and saying, Give me my right against the man who has done me wrong. And for a time he would not: but later, he said to himself, Though I have no fear of God or respect for man, Because this widow is a trouble to me, I will give her her right; for if not, I will be completely tired out by her frequent coming. And the Lord said, Give ear to the words of the evil judge. And will not God do right in the cause of his saints, whose cries come day and night to his ears, though he is long in doing it?
And in the morning, a long time before daylight, he got up and went out to a quiet place, and there he gave himself up to prayer.
Then they came near before the king and said, O King, have you not put your name to an order that any man who makes a request to any god or man but you, O King, for thirty days, is to be put into the lions' hole? The king made answer and said, The thing is fixed by the law of the Medes and Persians which may not come to an end.
In the middle of the night I will get up to give you praise, because of all your right decisions.
But to you did I send up my cry, O Lord; in the morning my prayer came before you.
Truly, I make an outcry against the violent man, but there is no answer: I give a cry for help, but no one takes up my cause.
And seeing that they had trouble in getting their boat through the water, because the wind was against them, about the fourth watch of the night he came to them, walking on the sea; and he would have gone past them;
Worthy.Bible » Commentaries » Keil & Delitzsch Commentary » Commentary on Psalms 55
Commentary on Psalms 55 Keil & Delitzsch Commentary
Prayer of One Who Is Maliciously Beset and Betrayed by His Friend
Psalms 54:1-7 is followed by another Davidic Psalm bearing the same inscription: To the Precentor, with accompaniment of stringed instruments, a meditation, by David . It also accords with the former in the form of the prayer with which it opens (cf. Psalms 55:2 with Psalms 54:3.); and it is the Elohimic counterpart of the Jahve- Psalms 41:1-13. If the Psalm is by David, we require (in opposition to Hengstenberg) an assignable occasion for it in the history of his life. For how could the faithless bosom friend, over whom the complaint concerning malicious foes here, as in Psalms 41:1-13, lingers with special sadness, be a mere abstract personage; since it has in the person of Judas Iscariot its historical living antitype in the life and passion of the second David? This Old Testament Judas is none other than Ahithפphel, the right hand of Absalom. Ps 55 belongs, like Psalms 41:1-13, to the four years during which the rebellion of Absalom was forming; only to a somewhat later period, when Absalom's party were so sure of their cause that they had no need to make any secret of it. How it came to pass that David left the beginnings and progressive steps of the rebellion of Absalom to take their course without bringing any other weapon to bear against it than the weapon of prayer, is discussed on Psalms 41:1-13.
Hitzig also holds this Psalm to be Jeremianic. But it contains no coincidences with the language and thoughts of Jeremiah worth speaking of, excepting that this prophet, in Psalms 9:1, gives utterance to a similar wish to that of the psalmist in Psalms 55:7, and springing from the same motive. The argument in favour of Jeremiah in opposition to David is consequently referred to the picture of life and suffering which is presented in the Psalm; and it becomes a question whether this harmonizes better with the persecuted life of Jeremiah or of David. The exposition which follows here places itself - and it is at least worthy of being attempted - on the standpoint of the writer of the inscription.
In this first group sorrow prevails. David spreads forth his deep grief before God, and desires for himself some lonely spot in the wilderness far away from the home or lurking-place of the confederate band of those who are compassing his overthrow. “Veil not Thyself” here, where what is spoken of is something audible, not visible, is equivalent to “veil not Thine ear,” Lamentations 3:56, which He designedly does, when the right state of heart leaves the praying one, and consequently that which makes it acceptable and capable of being answered is wanting to the prayer (cf. Isaiah 1:15). שׂיח signifies a shrub (Syriac shucho , Arabic šı̂ḥ ), and also reflection and care (Arabic, carefulness, attention; Aramaic, סח , to babble, talk, discourse). The Hiph . חריד , which in Genesis 27:40 signifies to lead a roving life, has in this instance the signification to move one's self backwards and forwards, to be inwardly uneasy; root רד , Arab. rd , to totter, whence râda , jarûda , to run up and down (IV to desire, will); raida , to shake (said of a soft bloated body); radda , to turn (whence taraddud , a moving to and fro, doubting); therefore: I wander hither and thither in my reflecting or meditating, turning restlessly from one thought to another. It is not necessary to read ואחמיה after Psalms 77:4 instead of ועהימה , since the verb הוּם = המה , Psalms 42:6, 12, is secured by the derivatives. Since these only exhibit הוּם , and not הים (in Arabic used more particularly of the raving of love), ואהימה , as also אריד , is Hiph ., and in fact like this latter used with an inward object: I am obliged to raise a tumult or groan, break out into the dull murmuring sounds of pain. The cohortative not unfrequently signifies “I have to” or “I must” of incitements within one's self which are under the control of outward circumstances. In this restless state of mind he finds himself, and he is obliged to break forth into this cry of pain on account of the voice of the foe which he cannot but hear; by reason of the pressure or constraint ( עקת ) of the evil-doer which he is compelled to feel. The conjecture צעקת (Olshausen and Hupfeld) is superfluous. עקה is a more elegant Aramaizing word instead of צרה .
The second strophe begins with a more precise statement of that which justifies his pain. The Hiph . חמיט signifies here, as in Psalms 140:11 ( Chethîb ), declinare : they cast or roll down evil (calamity) upon him and maliciously lay snares for him בּאף , breathing anger against him who is conscious of having manifested only love towards them. His heart turns about in his body, it writhes ( יהיל ); cf. on this, Psalms 38:11. Fear and trembling take possession of his inward parts; יבא in the expression יבא בי , as is always the case when followed by a tone syllable, is a so-called נסוג אחור , i.e., it has the tone that has retreated to the penult . (Deuteronomy 1:38; Isaiah 7:24; Isaiah 60:20), although this is only with difficulty discernible in our printed copies, and is therefore (vid., Accentsystem , vi. §2) noted with Mercha . The fut. consec . which follows introduces the heightened state of terror which proceeds from this crowding on of fear and trembling. Moreover, the wish that is thereby urged from him, which David uttered to himself, is introduced in the third strophe by a fut. consec.
(Note: That beautiful old song of the church concerning Jesus has grown out of this strophe: -
Ecquis binas columbinas
Alas dabit animae?
Et in almam crucis palmam
Evolat citissime