30 I know his wrath, saith Jehovah; his pratings are vain: they do not as [they say].
Behold, he taketh away: who will hinder him? Who will say unto him, What doest thou? +God withdraweth not his anger; the proud helpers stoop under him:
But I know thine abode, and thy going out, and thy coming in, and thy raging against me. Because thy raging against me and thine arrogance is come up into mine ears, I will put my ring in thy nose, and my bridle in thy lips, and I will make thee go back by the way by which thou camest.
Worthy.Bible » Commentaries » Matthew Henry Commentary » Commentary on Jeremiah 48
Commentary on Jeremiah 48 Matthew Henry Commentary
Chapter 48
Moab is next set to the bar before Jeremiah the prophet, whom God has constituted judge over nations and kingdoms, from his mouth to receive its doom. Isaiah's predictions concerning Moab had had their accomplishment (we had the predictions Isa. 15 and 16 and the like Amos 2:1), and they were fulfilled when the Assyrians, under Salmanassar, invaded and distressed Moab. But this is a prophecy of the desolations of Moab by the Chaldeans, which were accomplished under Nebuzaradan, about five years after he had destroyed Jerusalem. Here is,
Jer 48:1-13
We may observe in these verses,
Jer 48:14-47
The destruction is here further prophesied of very largely and with a great copiousness and variety of expression, and very pathetically and in moving language, designed not only to awaken them by a national repentance and reformation to prevent the trouble, or by a personal repentance and reformation to prepare for it, but to affect us with the calamitous state of human life, which is liable to such lamentable occurrences, and with the power of God's anger and the terror of his judgments, when he comes forth to contend with a provoking people. In reading this long roll of threatenings, and meditating on the terror of them, it will be of more use to us to keep this in our eye, and to get our hearts thereby possessed with a holy awe of God and of his wrath, than to enquire critically into all the lively figures and metaphors here used.