14 She shall be brought unto the king in raiment of embroidery; the virgins behind her, her companions, shall be brought in unto thee:
Thine ointments savour sweetly; Thy name is an ointment poured forth: Therefore do the virgins love thee. Draw me, we will run after thee! -- The king hath brought me into his chambers -- We will be glad and rejoice in thee, We will remember thy love more than wine. They love thee uprightly. I am black, but comely, daughters of Jerusalem, As the tents of Kedar, As the curtains of Solomon.
I charge you, daughters of Jerusalem, If ye find my beloved, ... What will ye tell him? -- That I am sick of love. What is thy beloved more than [another] beloved, Thou fairest among women? What is thy beloved more than [another] beloved, That thou dost so charge us?
And I saw, and behold, the Lamb standing upon mount Zion, and with him a hundred [and] forty-four thousand, having his name and the name of his Father written upon their foreheads. And I heard a voice out of the heaven as a voice of many waters, and as a voice of great thunder. And the voice which I heard [was] as of harp-singers harping with their harps; and they sing a new song before the throne, and before the four living creatures and the elders. And no one could learn that song save the hundred [and] forty-four thousand who were bought from the earth. These are they who have not been defiled with women, for they are virgins: these are they who follow the Lamb wheresoever it goes. These have been bought from men [as] first-fruits to God and to the Lamb:
Worthy.Bible » Commentaries » Matthew Henry Commentary » Commentary on Psalms 45
Commentary on Psalms 45 Matthew Henry Commentary
Psalm 45
This psalm is an illustrious prophecy of Messiah the Prince: it is all over gospel, and points at him only, as a bridegroom espousing the church to himself and as a king ruling in it and ruling for it. It is probable that our Saviour has reference to this psalm when he compares the kingdom of heaven, more than once, to a nuptial solemnity, the solemnity of a royal nuptial, Mt. 22:2; 25:1. We have no reason to think it has any reference to Solomon's marriage with Pharaoh's daughter; if I thought that it had reference to any other than the mystical marriage between Christ and his church, I would rather apply it to some of David's marriages, because he was a man of war, such a one as the bridegroom here is described to be, which Solomon was not. But I take it to be purely and only meant of Jesus Christ; of him speaks the prophet this, of him and of no other man; and to him (v. 6, 7) it is applied in the New Testament (Heb. 1:8), nor can it be understood of any other. The preface speaks the excellency of the song (v. 1). The psalm speaks,
In singing this psalm our hearts must be filled with high thoughts of Christ, with an entire submission to and satisfaction in his government, and with an earnest desire of the enlarging and perpetuating of his church in the world.
To the chief musician upon Shoshannim, for the sons of Korah, Maschil. A song of loves.
Psa 45:1-5
Some make Shoshannim, in the title, to signify an instrument of six strings; others take it in its primitive signification for lilies or roses, which probably were strewed, with other flowers, at nuptial solemnities; and then it is easily applicable to Christ who calls himself the rose of Sharon and the lily of the valleys, Cant. 2:1. It is a song of loves, concerning the holy love that is between Christ and his church. It is a song of the well-beloved, the virgins, the companions of the bride (v. 14), prepared to be sung by them. The virgin-company that attend the Lamb on Mount Zion are said to sing a new song, Rev. 14:3, 4.
Psa 45:6-9
We have here the royal bridegroom filling his throne with judgment and keeping his court with splendour.
Psa 45:10-17
This latter part of the psalm is addressed to the royal bride, standing on the right hand of the royal bridegroom. God, who said to the Son, Thy throne is for ever and ever, says this to the church, which, upon the account of her espousals to the Son, he here calls his daughter.