27 And he made two rings of gold for it under the crown thereof, by the two corners of it, upon the two sides thereof, to be places for the staves to bear it withal.
27 And he made H6213 two H8147 rings H2885 of gold H2091 for it under the crown H2213 thereof, by the two H8147 corners H6763 of it, upon the two H8147 sides H6654 thereof, to be places H1004 for the staves H905 to bear H5375 it withal.
27 And he made for it two golden rings under the crown thereof, upon the two ribs thereof, upon the two sides of it, for places for staves wherewith to bear it.
27 and two rings of gold he hath made for it under its wreath, at its two corners, at its two sides, for places for staves to bear it with them.
27 And he made two rings of gold for it under its border, by its two corners, on the two sides thereof, as receptacles for the staves with which to carry it.
27 He made two golden rings for it under its molding crown, on its two ribs, on its two sides, for places for poles with which to carry it.
27 And he made two gold rings, placing them on the two opposite sides under the edge, to take the rods for lifting it.
Worthy.Bible » Commentaries » Commentary Critical and Explanatory on the Whole Bible » Commentary on Exodus 37
Commentary on Exodus 37 Commentary Critical and Explanatory on the Whole Bible
CHAPTER 37
Ex 37:1-29. Furniture of the Tabernacle.
1. Bezaleel made the ark—The description here given of the things within the sacred edifice is almost word for word the same as that contained in Ex 25:1-40. It is not on that account to be regarded as a useless repetition of minute particulars; for by the enumeration of these details, it can be seen how exactly everything was fashioned according to the "pattern shown on the mount" [Ex 25:40]; and the knowledge of this exact correspondence between the prescription and the execution was essential to the purposes of the fabric.
6-10. made the mercy seat of pure gold—To construct a figure, whether the body of a beast or a man, with two extended wings, measuring from two to three feet from tip to tip, with the hammer, out of a solid piece of gold, was what few, if any, artisans of the present day could accomplish.
17-22. he made the candlestick of pure gold—Practical readers will be apt to say, "Why do such works with the hammer, when they could have been cast so much easier—a process they were well acquainted with?" The only answer that can be given is, that it was done according to order. We have no doubt but there were reasons for so distinctive an order, something significant, which has not been revealed to us [Napier]. The whole of that sacred building was arranged with a view to inculcate through every part of its apparatus the great fundamental principles of revelation. Every object was symbolical of important truth—every piece of furniture was made the hieroglyphic of a doctrine or a duty—on the floor and along the sides of that movable edifice was exhibited, by emblematic signs addressed to the eye, the whole remedial scheme of the gospel. How far this spiritual instruction was received by every successive generation of the Israelites, it may not be easy to determine. But the tabernacle, like the law of which it was a part, was a schoolmaster to Christ [Ga 3:24, 25]. Just as the walls of schools are seen studded with pictorial figures, by which the children, in a manner level to their capacities and suited to arrest their volatile minds, are kept in constant and familiar remembrance of the lessons of piety and virtue, so the tabernacle was intended by its furniture and all its arrangements to serve as a "shadow of good things to come" [Heb 10:1]. In this view, the minute description given in this chapter respecting the ark and mercy seat, the table of showbread, the candlestick, the altar of incense, and the holy oil, were of the greatest utility and importance; and though there are a few things that are merely ornamental appendages, such as the knops and the flowers, yet, in introducing these into the tabernacle, God displayed the same wisdom and goodness as He has done by introducing real flowers into the kingdom of nature to engage and gratify the eye of man.