3 And they did beat the gold into thin plates, and cut it into wires, to work it in the blue, and in the purple, and in the scarlet, and in the fine linen, with cunning work.
3 And they did beat H7554 the gold H2091 into H854 thin plates, H6341 and cut H7112 it into wires, H6616 to work H6213 H8432 it in the blue, H8504 and in the purple, H713 and in the scarlet, H8144 H8438 and in the fine linen, H8336 with cunning H2803 work. H4639
3 And they did beat the gold into thin plates, and cut it into wires, to work it in the blue, and in the purple, and in the scarlet, and in the fine linen, the work of the skilful workman.
3 and they expand the plates of gold, and have cut off wires to work in the midst of the blue, and in the midst of the purple, and in the midst of the scarlet, and in the midst of the linen -- work of a designer;
3 And they beat the gold into thin plates, and cut it [into] wires, to work it artistically into the blue, and into the purple, and into the scarlet, and into the byssus.
3 They beat the gold into thin plates, and cut it into wires, to work it in the blue, in the purple, in the scarlet, and in the fine linen, the work of the skillful workman.
3 Hammering the gold into thin plates and cutting it into wires to be worked into the blue and the purple and the red and the linen by the designer.
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Commentary on Exodus 39 Commentary Critical and Explanatory on the Whole Bible
CHAPTER 39
Ex 39:1-43. Garments of the Priests.
1, 2. cloths of service—official robes. The ephod of the high priest, the robe of the ephod, the girdle of needlework, and the embroidered coat were all of fine linen; for on no material less delicate could such elaborate symbolical figures have been portrayed in embroidery, and all beautified with the same brilliant colors. (See on Ex 28:1-43).
3. cut the gold into wires to work it—that is, the metal was beaten with a hammer into thin plates, cut with scissors or some other instrument into long slips, then rounded into filaments or threads. "Cloth of golden tissue is not uncommon on the monuments, and specimens of it have been found rolled about mummies; but it is not easy to determine whether the gold thread was originally interwoven or subsequently inserted by the embroiderer" [Taylor].
30. a writing, like to the engravings of a signet—The seal-ring worn both by ancient and modern Egyptians on the little finger of the right hand, contained, inscribed on a cornelian or other precious stone, along with the owner's name, a religious sentiment or sacred symbol, intimating that he was the servant of God, or expressive of trust in Him. And it was to this practice the inscription on the high priest alludes (compare Joh 3:33).
34. the covering of rams' skin dyed red—(See on Ex 25:5). It was probably red morocco leather and "badgers' skins," rather "the skins of the tahash, supposed to be the dugong, or dolphin of the Red Sea, the skin of which is still used by the Arabs under the same appellation" [Goss].
43. Moses did look upon all the work, and, behold, they had done it as the Lord had commanded—A formal inspection was made on the completion of the tabernacle, not only with a view to have the work transferred from the charge of the workmen, but to ascertain whether it corresponded with "the pattern." The result of a careful and minute survey showed that every plank, curtain, altar, and vase had been most accurately made of the form, and in the place designed by the Divine Architect—and Moses, in accepting it of their hands, thanked God for them, and begged Him to bless them.