9 I will ask God, my rock, "Why have you forgotten me? Why do I go mourning because of the oppression of the enemy?"
Remember, Yahweh, what has come on us: Look, and see our reproach. Our inheritance is turned to strangers, Our houses to aliens. We are orphans and fatherless; Our mothers are as widows. We have drunken our water for money; Our wood is sold to us. Our pursuers are on our necks: We are weary, and have no rest. We have given the hand to the Egyptians, To the Assyrians, to be satisfied with bread. Our fathers sinned, and are no more; We have borne their iniquities. Servants rule over us: There is none to deliver us out of their hand. We get our bread at the peril of our lives, Because of the sword of the wilderness. Our skin is black like an oven, Because of the burning heat of famine. They ravished the women in Zion, The virgins in the cities of Judah. Princes were hanged up by their hand: The faces of elders were not honored. The young men bare the mill; The children stumbled under the wood. The elders have ceased from the gate, The young men from their music. The joy of our heart is ceased; Our dance is turned into mourning. The crown is fallen from our head: Woe to us! for we have sinned.
When I looked for good, then evil came; When I waited for light, there came darkness. My heart is troubled, and doesn't rest. Days of affliction have come on me. I go mourning without the sun. I stand up in the assembly, and cry for help. I am a brother to jackals, And a companion to ostriches. My skin grows black and peels from me. My bones are burned with heat. Therefore is my harp turned to mourning, And my pipe into the voice of those who weep.
Wake up! Why do you sleep, Lord? Arise! Don't reject us forever. Why do you hide your face, And forget our affliction and our oppression?
Worthy.Bible » Commentaries » Matthew Henry Commentary » Commentary on Psalms 42
Commentary on Psalms 42 Matthew Henry Commentary
Psalm 42
If the book of Psalms be, as some have styled it, a mirror or looking-glass of pious and devout affections, this psalm in particular deserves, as much as any one psalm, to be so entitled, and is as proper as any to kindle and excite such in us: gracious desires are here strong and fervent; gracious hopes and fears, joys and sorrows, are here struggling, but the pleasing passion comes off a conqueror. Or we may take it for a conflict between sense and faith, sense objecting and faith answering.
The title does not tell us who was the penman of this psalm, but most probably it was David, and we may conjecture that it was penned by him at a time when, either by Saul's persecution or Absalom's rebellion, he was driven from the sanctuary and cut off from the privilege of waiting upon God in public ordinances. The strain of it is much the same with 63, and therefore we may presume it was penned by the same hand and upon the same or a similar occasion. In singing it, if we be either in outward affliction or in inward distress, we may accommodate to ourselves the melancholy expressions we find here; if not, we must, in singing them, sympathize with those whose case they speak too plainly, and thank God it is not our own case; but those passages in it which express and excite holy desires towards God, and dependence on him, we must earnestly endeavour to bring our minds up to.
To the chief musician, Maschil, for the sons of Korah.
Psa 42:1-5
Holy love to God as the chief good and our felicity is the power of godliness, the very life and soul of religion, without which all external professions and performances are but a shell and carcase: now here we have some of the expressions of that love. Here is,
Psa 42:6-11
Complaints and comforts here, as before, take their turn, like day and night in the course of nature.