4 `And these `are' the garments which they make: a breastplate, and an ephod, and an upper robe, and an embroidered coat, a mitre, and a girdle; yea, they have made holy garments for Aaron thy brother, and for his sons, for his being priest to Me.
`And thou hast embroidered the coat of linen, and hast made a mitre of linen, and a girdle thou dost make -- work of an embroiderer. `And for the sons of Aaron thou dost make coats, and thou hast made for them girdles, yea, bonnets thou dost make for them, for honour and for beauty;
and have made the ephod of gold, blue, and purple, and scarlet, and twined linen, work of a designer; it hath two shoulders joining at its two ends, and it is joined. `And the girdle of his ephod which `is' on him, according to its work, is of the same, of gold, blue, and purple, and scarlet, and twined linen. `And thou hast taken the two shoham stones, and hast opened on them the names of the sons of Israel; six of their names on the one stone, and the names of the remaining six on the second stone, according to their births; the work of an engraver in stone, openings of a signet, thou dost open the two stones by the names of the sons of Israel; turned round, embroidered `with' gold, thou dost make them. `And thou hast set the two stones on the shoulders of the ephod -- stones of memorial to the sons of Israel -- and Aaron hath borne their names before Jehovah, on his two shoulders, for a memorial. `And thou hast made embroidered things of gold, and two chains of pure gold, wreathed work thou dost make them, work of thick bands, and thou hast put the thick chains on the embroidered things. `And thou hast made a breastplate of judgment, work of a designer; according to the work of the ephod thou dost make it; of gold, blue, and purple, and scarlet, and twined linen thou dost make it; it is square, doubled, a span its length, and a span its breadth. `And thou hast set in it settings of stone, four rows of stone; a row of sardius, topaz, and carbuncle `is' the first row; and the second row `is' emerald, sapphire, and diamond; and the third row `is' opal, agate, and amethyst; and the fourth row `is' beryl, and onyx, and jasper; embroidered with gold are they in their settings, and the stones are according to the names of the sons of Israel, twelve, according to their names, openings of a signet, each by his name are they for the twelve tribes. `And thou hast made on the breastplate wreathed chains, work of thick bands, of pure gold; and thou hast made on the breastplate two rings of gold, and hast put the two rings on the two ends of the breastplate; and thou hast put the two thick bands of gold on the two rings at the ends of the breastplate; and the two ends of the two thick bands thou dost put on the two embroidered things, and thou hast put `them' on the shoulders of the ephod over-against its face. `And thou hast made two rings of gold, and hast set them on the two ends of the breastplate, on its border, which `is' over-against the ephod within; and thou hast made two rings of gold, and hast put them on the two shoulders of the ephod, beneath, over-against its front, over-against its joining, above the girdle of the ephod, and they bind the breastplate by its rings unto the rings of the ephod with a ribbon of blue, to be above the girdle of the ephod, and the breastplate is not loosed from the ephod. `And Aaron hath borne the names of the sons of Israel in the breastplate of judgment, on his heart, in his going in unto the sanctuary, for a memorial before Jehovah continually. `And thou hast put unto the breastplate of judgment the Lights and the Perfections, and they have been on the heart of Aaron, in his going in before Jehovah, and Aaron hath borne the judgment of the sons of Israel on his heart before Jehovah continually. `And thou hast made the upper robe of the ephod completely of blue, and the opening for its head hath been in its midst, a border is to its opening round about, work of a weaver, as the opening of a habergeon there is to it; it is not rent. `And thou hast made on its hem pomegranates of blue, and purple, and scarlet, on its hem round about, and bells of gold in their midst round about; a bell of gold and a pomegranate, a bell of gold and a pomegranate `are' on the hems of the upper robe round about. `And it hath been on Aaron to minister in, and its sound hath been heard in his coming in unto the sanctuary before Jehovah, and in his going out, and he doth not die.
and doth put on him the coat, and doth gird him with the girdle, and doth clothe him with the upper robe, and doth put on him the ephod, and doth gird him with the girdle of the ephod, and doth bind `it' to him with it, and doth put on him the breastplate, and doth put unto the breastplate the Lights and the Perfections, and doth put the mitre on his head, and doth put on the mitre, over-against its front, the golden flower of the holy crown, as Jehovah hath commanded Moses.
And they make bells of pure gold, and put the bells in the midst of the pomegranates, on the hems of the upper robe, round about, in the midst of the pomegranates; a bell and a pomegranate, a bell and a pomegranate, `are' on the hems of the upper robe, round about, to minister in, as Jehovah hath commanded Moses.
And he maketh the breastplate, work of a designer, like the work of the ephod, of gold, blue, and purple, and scarlet, and twined linen; it hath been square; double they have made the breastplate, a span its length, and a span its breadth, doubled. And they fill in it four rows of stones; a row of a sardius, a topaz, and a carbuncle `is' the one row; and the second row an emerald, a sapphire, and a diamond; and the third row an opal, an agate, and an amethyst; and the fourth row a beryl, an onyx, and a jasper -- set, embroidered `with' gold, in their settings. And the stones, according to the names of the sons of Israel, are twelve, according to their names, openings of a signet, each according to his name, for the twelve tribes. And they make on the breastplate wreathed chains, work of thick bands, of pure gold; and they make two embroidered things of gold, and two rings of gold, and put the two rings on the two ends of the breastplate, and they put the two thick bands of gold on the two rings on the ends of the breastplate; and the two ends of the two thick bands they have put on the two embroidered things, and they put them on the shoulders of the ephod, over-against its front. And they make two rings of gold, and set `them' on the two ends of the breastplate, on its border, which `is' on the side of the ephod within; and they make two rings of gold, and put them on the two shoulders of the ephod below, over-against its front, over-against its joining, above the girdle of the ephod; and they bind the breastplate by its rings unto the rings of the ephod, with a ribbon of blue, to be above the girdle of the ephod, and the breastplate is not loosed from off the ephod, as Jehovah hath commanded Moses. And he maketh the upper robe of the ephod, work of a weaver, completely of blue;
And he maketh the ephod, of gold, blue, and purple, and scarlet, and twined linen, and they expand the plates of gold, and have cut off wires to work in the midst of the blue, and in the midst of the purple, and in the midst of the scarlet, and in the midst of the linen -- work of a designer; shoulder-pieces they have made for it, joining; at its two ends it is joined. And the girdle of his ephod which `is' on it is of the same, according to its work, of gold, blue, and purple, and scarlet, and twined linen, as Jehovah hath commanded Moses.
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Commentary on Exodus 28 Commentary Critical and Explanatory on the Whole Bible
CHAPTER 28
Ex 28:1-43. Appointment to the Priesthood.
1. take thou unto thee Aaron thy brother, and his sons with him—Moses had hitherto discharged the priestly functions (Ps 99:6), and he evinced the piety as well as humility of his character, in readily complying with the command to invest his brother with the sacred office, though it involved the perpetual exclusion of his own family. The appointment was a special act of God's sovereignty, so that there could be no ground for popular umbrage by the selection of Aaron's family, with whom the office was inalienably established and continued in unbroken succession till the introduction of the Christian era.
2-5. holy garments—No inherent holiness belonged either to the material or the workmanship. But they are called "holy" simply because they were not worn on ordinary occasions, but assumed in the discharge of the sacred functions (Eze 44:19).
for glory and for beauty—It was a grand and sumptuous attire. In material, elaborate embroidery, and color, it had an imposing splendor. The tabernacle being adapted to the infantine aid of the church, it was right and necessary that the priests' garments should be of such superb and dazzling appearance, that the people might be inspired with a due respect for the ministers as well as the rites of religion. But they had also a further meaning; for being all made of linen, they were symbolical of the truth, purity, and other qualities in Christ that rendered Him such a high priest as became us.
6-14. ephod—It was a very gorgeous robe made of byssus, curiously embroidered, and dyed with variegated colors, and further enriched with golden tissue, the threads of gold being either originally interwoven or afterwards inserted by the embroiderer. It was short—reaching from the breast to a little below the loins—and though destitute of sleeves, retained its position by the support of straps thrown over each shoulder. These straps or braces, connecting the one with the back, the other with the front piece of which the tunic was composed, were united on the shoulder by two onyx stones, serving as buttons, and on which the names of the twelve tribes were engraved, and set in golden encasements. The symbolical design of this was, that the high priest, who bore the names along with him in all his ministrations before the Lord, might be kept in remembrance of his duty to plead their cause, and supplicate the accomplishment of the divine promises in their favor. The ephod was fastened by a girdle of the same costly materials, that is, dyed, embroidered, and wrought with threads of gold. It was about a handbreadth wide and wound twice round the upper part of the waist; it fastened in front, the ends hanging down at great length (Re 1:13).
15-29. thou shalt make the breastplate of judgment with cunning work—a very splendid and richly embroidered piece of brocade, a span square, and doubled, to enable it the better to bear the weight of the precious stones in it. There were twelve different stones, containing each the name of a tribe, and arranged in four rows, three in each. The Israelites had acquired a knowledge of the lapidary's art in Egypt, and the amount of their skill in cutting, polishing, and setting precious stones, may be judged of by the diamond forming one of the engraved ornaments on this breastplate. A ring was attached to each corner, through which the golden chains were passed to fasten this brilliant piece of jewelry at the top and bottom tightly on the breast of the ephod.
30. thou shalt put in the breastplate of judgment the Urim and Thummim—The words signify "lights" and "perfections"; and nothing more is meant than the precious stones of the breastplate already described (compare Ex 39:8-21; Le 8:8). They received the name because the bearing of them qualified the high priest to consult the divine oracle on all public or national emergencies, by going into the holy place—standing close before the veil and putting his hand upon the Urim and Thummim, he conveyed a petition from the people and asked counsel of God, who, as the Sovereign of Israel, gave response from the midst of His glory. Little, however, is known about them. But it may be remarked that Egyptian judges wore on the breast of their official robes a representation of Justice, and the high priest in Israel long officiated also as a judge; so that some think the Urim and Thummim had a reference to his judicial functions.
31-33. the robe of the ephod all of blue—It was the middle garment, under the ephod and above the coat. It had a hole through which the head was thrust, and was formed carefully of one piece, such as was the robe of Christ (Joh 19:23). The high priest's was of a sky-blue color. The binding at the neck was strongly woven, and it terminated below in a fringe, made of blue, purple, and scarlet tassels, in the form of a pomegranate, interspersed with small bells of gold, which tinkled as the wearer was in motion.
34. a golden bell and a pomegranate—The bells were hung between the pomegranates, which were said to have amounted to seventy-two, and the use of them seems to have been to announce to the people when the high priest entered the most holy place, that they might accompany him with their prayers, and also to remind himself to be attired in his official dress, to minister without which was death.
36-38. plate—literally, a petal of a flower, which seems to have been the figure of this golden plate, which was tied with a ribbon of blue on the front of the mitre, so that every one facing him could read the inscription.
37. mitre—crown-like cap for the head, not covering the entire head, but adhering closely to it, composed of fine linen. The Scripture has not described its form, but from Josephus we may gather that it was conical in shape, as he distinguishes the mitres of the common priests by saying that they were not conical—that it was encircled with swathes of blue embroidered, and that it was covered by one piece of fine linen to hide the seams.
39. coat of fine linen—a garment fastened at the neck, and reaching far down the person, with the sleeves terminating at the elbow.
girdle of needlework—a piece of fine twined linen, richly embroidered, and variously dyed. It is said to have been very long, and being many times wound round the body, it was fastened in front and the ends hung down, which, being an impediment to a priest in active duty, were usually thrown across the shoulders. This was the outer garment of the common priests.
40. bonnets—turbans.
42. linen breeches—drawers, which encompassed the loins and reached half way down the thighs. They are seen very frequently represented in Egyptian figures.